After successfully teaming up for "Patriots Day," "Deepwater Horizon" and "Lone Survivor" (we'll forget about "Mile 22" for now), actor/producer Mark Wahlberg and director Peter Berg finally release a dud with the Netflix action-comedy, "Spenser Confidential."
Marco Bellocchio might not be a household name in the United States, but he's been churning out films in Italy for over half a century. His latest film, "The Traitor" (Il traditore) is being billed as "the true story about the man who brought down the Mafia," and it's playing here in Michigan at the Detroit Film Theater this weekend.
The only gold nugget to be found in the turd that was the 2016 film "Suicide Squad," was Margot Robbie's Harley Quinn. Now that the character's been given her own movie, it seems that Harley Quinn can be filed in the "less is more" category. But don't blame Margot Robbie. Her Harley Quinn is a fun character trapped in a really bad movie.
"Les Misérables" is maybe an unfortunate title for this electric thriller that will confuse viewers who are expecting to see Jean Valjean and a few song and dance numbers. But in telling a more modern story, themes of inequality, class oppression and street-level rage eerily feel like echoes from Victor Hugo's classic novel, and send home the message that the more things change, the more things stay the same.
Will Smith and Martin Lawrence re-team as "bad boys" in this third - and final? - installment that started way back in 1995.
"Uncut Gems" is a high-wire act of mood and energy, and it will pummel your senses. It's also one of the best movies of 2019, if you can endure it.
It's not sharp enough to be in the awards-season discussion, but "Knives Out" is a deliciously fun night out at the movies.
New on Netflix is the mystery/thriller, "Earthquake Bird," starring Alicia Vikander, Riley Keough and Naoki Kobayashi.
Don't let the truth get in the way of a good story, and when it comes to "The Irishman," this is one heck of a tale, with some of the best there have ever been doing some of their career-best work. For real.
In his sophomore directing effort, Edward Norton aims to make a gritty drama set on the streets of 1950s New York, but a lack of narrative spark sends this one sailing way off course.
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