Review Round-Up: 'The Little Mermaid,' 'Kandahar,' 'You Hurt My Feelings,' 'Being Mary Tyler Moore'
Here are reviews of several new movies opening this weekend theatrically as well as on streaming:
I'm a sucker for a good coming-of-age story, and "Are You There God? It's Me, Margaret" is a great one.
With focus, authenticity and a better-than-expected cast, this is a crowd-pleaser that will withstand the test of time, much like the book that it's based on.
Review: 'Air' is lively, breezy and fun, reuniting Matt Damon and Ben Affleck on-screen
Real life BFFs Matt Damon and Ben Affleck - counting their new film "Air" - have been in a total of nine films together. Mostly though, people bring up their Oscar-winning "Good Will Hunting" as the definitive Damon/Affleck film, a movie that landed in theaters in 1997, over 25 years ago.
I'm not sure if "Air" will still be lingering this coming Oscar season, but it's definitely another crowd-pleasing gem from Ben Affleck the director, who has shown to be a real force behind the camera even more so than in front of it.
The images you may see in the trailer for "Paint," may make you think that Owen Wilson is portraying the legendary, soft-spoken Public Television artist, Bob Ross, whose "The Joy of Painting" captivated people around the world.
But "Paint" is not a biopic, nor does Bob Ross have anything to do with this film. Sure, the look of Wilson's character, the easy-going womanizer, Carl Nargle, may himself have a popular public-access TV show about painting, and he may have taken inspiration from Ross's iconic appearance, but Nargle couldn't be more polar opposite than Ross.
The biggest difference? Ross is a joy to watch. Nargle on the other hand, is a grating, pompous-ass who gets by with his charm and talents. None of which leaves anything for us to root for in this bland, quirky "comedy," that seems to misfire at every opportunity.
Review: 'Tetris' film has all the intrigue, but none of the fun, of the game its based on
When you hear the real-life story of how the game, "Tetris," became one of the most popular and well-known video games worldwide and of all-time, you might say to yourself, "Now that story would make a really good movie!"
Having now seen the "Tetris" movie (streaming on Apple TV+ beginning March 31st), I'm instead convinced that they should have left well enough alone.
It's an incredible story, but only a few ways to spin it (Tetris pun intended)...none of which end up being all that interesting enough to justify stretching it out into a feature-length film.
A stellar achievement both in storytelling and in acting, "A Thousand and One" lands as one of the year's best films, and one that will linger with you well beyond the ending credits.
Loretta McLaughlin (Keira Knightley) was working the Lifestyles desk at the Boston Record American when she became the first reporter to connect a series of strangulation deaths that had been occurring in and around the city. Along with fellow female journalist, Jean Cole (Carrie Coon), the two battled against the inherent sexism of the early 1960s, and helped bring down the serial killer, Albert DeSalvo (David Dastmalchian), through their terrific, patient reporting.
This all seems ripe for a great thriller, so why does "Boston Strangler" end up feeling so bland?
Officially, "Creed III" is the ninth film in the Rocky saga, except for one glaring fact: It's the very first installment that underdog champ Rocky Balboa (Sylvester Stallone) does not appear in.
True, since 2015's "Creed," the story has slowly been shifted over to that of Adonis Creed (Michael B. Jordan), estranged son of the late, great Heavyweight boxing champ who also happened to be Rocky's best friend, Apollo Creed (portrayed in the early films by Carl Weathers). His story has thus far taken place in the shadows of Balboa's, their paths and their fates crossing as one career twilights, and another is just getting going.
But what's evident most in "Creed III," is that Adonis needs Rocky, and without him, the story lacks emotional...punch.
"If you're going to steal, steal a lot."
That's the under-riding premise of "Sharper," a slow-burning thriller about con artists conning other con artists, where nothing - and no one - is ever quite is it seems.
Despite the movie leaving me with a feeling that it should have been more effective given the talented cast, "Sharper" still was an enjoyable if not infallible mystery.
Here are some of the new films opening this weekend that were reviewed!
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