Horror films rarely resonate as award-worthy movies...not to mention how rare it is to see any Spring release at all turn up on a "Best of" list come year-end. That's what makes "Sinners" such a rarity. Not only is it one of the best mainstream horror films in years, it's already one of the year's best films. In fact, I can't think of a scenario where it wouldn't be on my personal "Best Movies of 2025" list.
It's well-made, well-acted and features one of the most kick-ass scores - and scenes - you'll ever witness. While the plot, characters and devices aren't wholly original, it's mashed together with such conviction that it feels wholly original. And it's not easy for a movie to work simultaneously on many different levels, but "Sinners" does. It can be enjoyed by horror enthusiasts, as popcorn entertainment or as a good date night out. But its complex themes can also be dissected by film critics and historians, made in a way where multiple viewings might be required to pick up on every nuance or metaphor. Make no mistake, "Sinners" is bold and bloody, and bound to bring comparisons to Robert Rodriguez's "From Dusk Till Dawn" as it seems to shift midway through from intriguing drama to gory vampire romp. But it's far from mindless...you'll be thinking about this one for a long time afterwards.
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Fifteen years in the making, and every bit of blood, sweat and tears poured into "Aladdin 3477: The Jinn of Wisdom" is apparent.
Matt Busch’s "Aladdin 3477: The Jinn of Wisdom" is an impressive feat of independent filmmaking that feels like cinematic comfort food—familiar, adventurous, and deeply satisfying. Known for his work as a professional illustrator on various Star Wars, Lord of the Rings, and Indiana Jones projects (and much, much more over his 30+ years in the industry), Busch proves he’s more than just a renowned artist; he’s a capable, bold and passionate storyteller. And what he was able to pull off from a technical standpoint - on a budget of around a paltry $200,000 - simply defies all logic or explanation. As a film critic for 15+ years, having seen thousands of films over that span, I can say with full confidence that I've never quite seen anything like this. Independent filmmaking and blockbuster popcorn movies have never been mashed together in this way, nor did I think such an amalgam was even possible. Busch has some brass balls for even attempting such a massive undertaking, and what he's been able to accomplish is nothing short of a mind-boggling achievement. And it's singular: It might take until the actual year 3477 for another creative talent such as Matt Busch to come along, because there is NOBODY else who could have even come close to making this project work in the way that he does. This self-made film, crafted by a self-made man is available for pre-order on Apple TV+ as of December 20th, 2024, and it hits various VOD platforms on January 3rd, 2025. I simply cannot recommend this film enough. Read on for my full review. "Gladiator II," standing on its own, is a serviceable sword-and-sandal action movie. It's when compared to its 2000 predecessor, "Gladiator" - a film that was nominated for five Oscars, winning for Best Picture and Best Actor - where it seems falls short, unable to capture the depth or gravitas that made the original a modern epic.
Two of the most popular Marvel characters on the planet see their worlds collide, in a wild, ridiculous mash-up appropriately titled, "Deadpool & Wolverine."
While Ryan Gosling and Emily Blunt are undeniable super-stars and the sort of actors you'll always find yourself rooting for, "The Fall Guy" fails at becoming the romp-action-comedy it's aiming to be.
It's not all bad and as a comedy, it contains plenty of laughs, albeit there are more misses than hits. But as an on-the-nose love-letter to the long-ignored stunt community, it is less effective despite its efforts. It gives the under-appreciated stunt men and women their due, but hold this up to other stunt-heavy films that REALLY should be applauded - think "John Wick" or the "Mission: Impossible" movies - and it's no question that "The Fall Guy" falls way short. With an animation style inspired by the recent "Spider-Verse" films and a hip, kinetic energy influenced by movies like "The Mitchells vs. The Machines," "Mutant Mayhem" is not your father's Teenage Mutant Ninja Turtles.
In fact, in many ways, it's better. Indiana Jones may not be as good as he once was, but he's as good once as he ever was.
His latest - and billed as his last - adventure takes place in "Indiana Jones and the Dial of Destiny," a fitting if somewhat safe and straight-forward final chapter to one of the greatest film sagas of the past half-century. It's fast, furious and funny. But traveling faster than the speed of light comes with the increased risk of tripping up.
The long-awaited, somewhat controversial "The Flash" has finally reached theaters. And while it deals with yet another messy multiverse that at times runs itself in circles, Ezra Miller's dual role as a future and past Barry Allen gets this one past the finish line...just barely. ***SOME MINOR SPOILERS TO FOLLOW*** I couldn't imagine caring about SPOILERS for a Transformers movie, but if you don't already know what's coming - scene after scene of mindless action, lame jokes, awful characters and zero stakes - then be warned: THIS REVIEW CONTAINS SPOILERS.
Specifically, the "stinger scene" during the end credits will be spoiled. You've been warned. *** SPOILERS AHEAD *** Review: 'Spider-Man: Across the Spider-verse' one of the year's best, animated or otherwise6/2/2023 It is impossible to believe that the 2018 animated "Spider-Man: Into the Spider-Verse" could be improved upon. "Hold my web-shooter," says its sequel, the new "Spider-Man: Across the Spider-Verse."
A lot of big words get thrown around in movie reviews, but I can confidently say this: I have never, ever seen a more visually ambitious movie - animated or otherwise - than "Spider-Man: Across the Spider-verse." Go see it at all costs...it's one of the best, most crowd-pleasing films, of 2023. |
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