 Universal Pictures, 2026. "The Super Mario Galaxy Movie" doesn't exactly push boundaries, but it accomplishes what it sets out to do: Make a crap-ton of money and leave audiences entertained enough to show up for the next, inevitable chapter.
 Amazon MGM Studios, 2026. "Project: Hail Mary" is sure to be a crowd-pleaser, but what makes it a rarity is that it embraces something modern science fiction too often lacks: hope and optimism. Those virtues not only help the film stand out, they make "Project: Hail Mary" feel like the right movie for this moment, when both are in short supply and more needed than ever.
 20th Century Studios, 2026. Linda Liddle (Rachel McAdams) is a big fan of "Survivor." So much so that in "Send Help," we discover that she has submitted an audition tape to compete on the long-running Reality-TV series.
She definitely has what it takes to survive on an island, as we soon find out in this wildly fun and, at times, gory dark comedy thriller.  20th Century Studios, 2025. What an impossibly high bar that has been set for director James Cameron, where each new film he makes is expected to reinvent cinema all over again or be casually dismissed as a disappointment.
The early criticism aimed at "Avatar: Fire and Ash," that it feels “too similar” to its predecessor, says far more about our warped expectations than it does about the film itself. Since when did consistency, coherence, and a director confidently expanding the world he created become a flaw? With "Fire and Ash," Cameron has once again built, refined and deepened his cinematic universe, delivering another immersive, meticulously crafted chapter that reminds us why Pandora remains one of the most fully realized worlds in modern blockbuster filmmaking.  20th Century Studios, 2025. Full disclosure: I don't have vast knowledge of the Predator Cinematic Universe, nor am I a dedicated fan of this series. What I can tell you is that the Predator franchise has now spanned six live-action stand-alone movies, an animated film (2025's "Predator: Killer of Killers") and two crossover films. They've collectively grossed over 550 million, and on the heels of "Predator: Killer of Killers" and Hulu's surprisingly great 2022 entry, "Prey," the series seems to be headed in a positive direction.
The new life breathed into the franchise can perhaps be credited to Dan Trachtenberg, the writer/director of "Prey" and "Predator: Killer of Killers," who now brings us "Predator: Badlands." Unfortunately, this latest effort feels like a blatant, soulless attempt to try to broaden the series' appeal.  Disney, 2025. When Disney released the original "Tron" back in 1982, it wasn't considered a financial success when all things were considered. It was groundbreaking for its special effects, even landing a pair of Oscar nominations for Best Costume and Best Sound, and over time has undeniably become a cult classic.
Disney was so committed to keeping the Tron IP alive, it released a 2010 sequel, "Tron: Legacy," which was a modest box office success, despite a lack of critical enthusiasm (it currently holds a 51% Rotten rating on RottenTomatoes.com). It even opened a Tron roller coaster at its theme parks, further proving that Disney has no intention of moving on from this seemingly promising franchise. "Tron: Ares" carries on the unfortunate Tron tradition of being visually dazzling without containing even a modicum of soul beneath the hood. With a loud, pulsating, high-octane score by Nine Inch Nails (apparently not just composers Trent Reznor and Atticus Ross, but the whole band), it is a nonstop onslaught on the senses...a merciless, relentless attack that may have been worth the punishment, had it been attached to anything remotely resembling human emotion.  Universal Pictures, 2025. "The Bad Guys" - based on the children's book series by Aaron Blabey - has quietly grown into one of the more beloved family franchises in recent years. The first film adaptation in 2022 grossed over 250 million dollars and proved to be a pleasant surprise for the studio. And while I wasn't a big fan (see my review of the first film at the link below), its success led to follow-up Holiday and Halloween specials on Netflix, so a theatrical sequel felt inevitable.
The good news? "The Bad Guys 2" isn't all bad. It's diverse cast of misfits have gone from mildly annoying to surprisingly fun to be around.  Marvel/Disney, 2025. Things have never been worse for the Marvel Cinematic Universe (MCU) as so-called "superhero fatigue" has seemingly taken over the moviegoing audience. That is, until earlier this month when rival DC Studios rejuvenated the box office with James Gunn's take on "Superman," a movie that has gotten raves from critics and audiences alike, and has grossed (at the time of this writing) nearly half a billion dollars at the box office.
Maybe it wasn't "superhero fatigue," but Marvel burnout instead? With the odds stacked against them, Marvel relies on one of their oldest superhero groups to finally right the ship...and wouldn't you know, the Fantastic Four save the day.  Warner Bros. Pictures, 2025. Superman is not just an alien, he's from another time. And until James Gunn's "Superman," no other filmmaker has had the courage to lean into what has made him one of the most - if not the most - aspirational character in the history of American fiction.
 Universal Pictures, 2025. A key question one must ask themselves when going into a "Jurassic Park" movie is: What do I truly expect? Expectations - and where we set them - play a major part in how we experience any film. Sometimes, aiming too high can almost guarantee disappointment. That's not to excuse a movie that sets a low bar for itself...rather an acknowledgement that much of our reaction depends on the mindset we bring to the theater.
Taking into consideration that the first "Jurassic Park" movie was a ground-breaking, earth-shattering blockbuster and a global phenomenon - and considering just how TERRIBLE many of the sequels have been - it's safe to say that "Jurassic World: Rebirth" is a bona fide success. It draws on our nostalgia without feeling manipulative. It simplifies things to the core of what made the first one a hit, without merely trying to recreate it. You could say - in a fitting parallel to the film's plot - that this installment extracts a bit of the original's DNA, in a noble attempt to finally do something worthwhile with it. |
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