 Annapurna, 2019. Director Richard Linklater has been on quite a roll with a string of fantastic films, but even the greats deserve a mulligan.
 Universal Pictures, 2019. Teenage boys look for love in an R-rated world, finding just enough laughs along the way to make it all worth it...sort of.
 Columbia Pictures, 2019. Quentin Tarantino's ninth film is a fond revision of the Silver Age of Hollywood, as remembered by someone whose life was changed by it.
 Bleeker Street Media, 2019. Jesse Eisenberg is perfectly cast as a victim who desperately wants to flip-the-script, in this cleverly-penned examination of toxic masculinity.
 Freestyle Releasing, 2019. Despite a fairly clever premise, "Supervised" is about as bad a film as they come.
 Universal Pictures, 2019. What would a world without The Beatles look like? The new romantic comedy "Yesterday" answers this question for us, with mixed results.
 Disney/Pixar, 2019. The gang is back for another adventure, but is "Toy Story 4" worthy of its predecessors, or should Pixar put a fork in it?
 Netflix, 2019. Adam Sandler's recent Netflix special, "100% Fresh," is maybe the funniest thing you'll see all year. But his rotten streak gets reset with this flat, lifeless dud.
 Columbia Pictures, 2019. Fans of the series may like this latest adventure, but the world of "Men in Black: International" just seems like it has so much more potential.
 Amazon Studios, 2019. Mindy Kaling wrote and stars in "Late Night," a comedy that doesn't quite work on any level.
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tom santilli movie reviews
Tom Santilli is a professional film critic, TV personality and
the Executive Producer and host of Movie Show Plus.
He also appears weekly on FOX-2 in Detroit.
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