There hasn't been a more beloved, universally-praised TV show in the past decade than AMC's "Breaking Bad." That show, which ended in 2013, gets a new lease on life, as does its protagonist Jesse Pinkman, in "El Camino: A Breaking Bad Movie," a fitting epilogue to one hell of a ride.
It was the surprise, break-out hit at this year's Toronto Film Festival, and as history repeats itself, Dolemite - against all odds - once again finds its way onto the big-screen.
More of Will Smith ends up equating to more of the same in "Gemini Man," a lame sci-fi thriller that doubles down on dull.
The latest Stephen King novella to get a film adaptation, "In the Tall Grass" loses itself in a maze of senseless thrills.
It's amazing to me that the new film "Joker" has already stoked such a visceral reaction among fans and critics alike. It will be hated, it will be loved, and there's validity to both sides of the debate. But for a film to incite such strong emotions - good or bad - it must be effectively operating on some level, and for me, it's as unforgettable a film as you'll see all year.
A beautifully-rendered drama that affects the senses, what "Monos" lacks in narrative it makes up for in mood.
"Abominable" is pretty to look at, and does just enough to make it serviceable, without becoming all that memorable.
NETFLIX has surprisingly been putting out some of this year's best films, from "Triple Frontier" to "The Dirt," to "See You Yesterday." With the trippy, mind-screwing sci-fi/mystery/crime/thriller "In the Shadow of the Moon," it adds another entry into the fold that deserves serious consideration.
Renee Zellweger might have been missing from our screens for most of the past decade, but she makes up for it and more with a tour de force, career-defining turn as Judy Garland.
Playing an even more clueless version of himself, Zach Galifianakis takes his successful Funny or Die series on the road, roasting celebrity after celebrity in his quest to land a real late-night TV talk-show.
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