It was inevitable that when you direct the highest-grossing film EVER - "Avengers: Endgame" - that your follow-up film would be destined to pale in comparison. But for Anthony and Joe Russo, who have risen to fame and fandom after directing a slew of beloved Marvel movies ("Captain America: Winter Soldier," "Avengers: Age of Ultron," "Avengers: Infinity War" and "Avengers: Endgame" among them), "Cherry" is more than a step-down, it is a baffling fall from grace.

Billie Eilish is about the biggest star on the planet at the moment, the singer/songwriter sensation who at age 15, uploaded a song to SoundCloud ("Ocean Eyes") and went on to become one of the most iconic and beloved stars of her generation. Her second album, 2019's "When We Fall Asleep, Where Do We Go?" was one of the best-selling album of 2019, with her number-one hit "Bad Guy" going platinum ten-times-over.

She's won two American Music Awards, three MTV Video Music Awards and five Grammys...becoming the youngest and only the second-ever to sweep the four major Grammy categories - Best New Artist, Record of the Year, Song of the Year and Album of the Year - in a single year (if you're wondering who the first person to do this was, it was Christopher Cross in 1980).

Eilish did all this before turning 19...and the most fascinating part of her deeply-compelling, revealing new documentary, "Billie Eilish: The World's A Little Blurry" (debuting on Apple TV+ on Feb. 26th), is just how glaringly adolescent Eilish still is. Despite being responsible for lyrics and vocals far beyond her years, we see Billie having boy trouble, getting her driver's license, handling the tremendous physical and emotional pressures that come with fame and fortune, and obsessing about Justin Bieber.

In other words, she's just your average teenager, other than the fact that Billie Eilish's talents as an artist are anything but average.

Justin Timberlake has proven that he is a man of many talents, and he doesn't let us down with his solid dramatic performance in "Palmer" (new on Apple TV+ on Friday, January 29th, 2021). But the film itself is bland and uninspired, and even Timberlake's performance is just not enough to save it.

You don't quite realize how "soft" and watered-down animated films in America have become over the years, until you see a film from overseas. Cartoon Saloon and Mélusine Productions (an Ireland-Luxembourg-France co-production) brings us the original Apple TV+ film, "Wolfwalkers," a film that is definitely family-friendly but that doesn't shy away from more mature themes.

Plus, it's an absolute stunning visual achievement.

What happens when 1100 young men get together for a Summer leadership program in Texas, where they must run a successful political campaign and elect a "Governor"? The alarming and fully immersive documentary "Boys State" answers this question and gives us insight into how messy our system really is.

When you've achieved Tom Hanks-level status, you expect greatness. Whether that's fair or not, Hanks does have his pick of material at this point in his career, so you know he's going to be invested no matter what he chooses to do. With his latest film, "Greyhound," you can tell that this was a story near-and-dear to him...heck, Tom Hanks doesn't just star in this, he even wrote the screenplay. This just feels sub-par given the production value...it's a big, loud war movie that forgets to make us care about its subjects.

"The Banker" is a new feature-film available on Apple TV+ on March 22nd, 2020, as well as in limited theaters starting March 6th, 2020.