An assassin with a heart of gold (Mary Elizabeth Winstead) has less than 24 hours to live, so she uses her finite time on the planet to take down as many of her enemies as she can.
That's the elevator pitch for "Kate," and despite some stylish action, this is an all-too-familiar thrill ride devoid of any real thrills...a film that will remind you of other films but that doesn't quite rise above any of them.
Shea Whigham definitely has what it takes to be a leading man, despite making a career out of being an ensemble player. He deserves better than "The Gateway," a film that is squarely a B-movie, but not in a nostalgic or fun sort of way.
The DC Comics Cinematic Universe (DCCU) is always playing catch-up to its way cooler, much more interesting big brother, The Marvel Cinematic Universe (MCU). Thus far, it's been a dark and dreary go: Films from "Man of Steel" all the way through the ludicrously loud and over-saturated "Wonder Woman 1984" have experimented with different tones and angles, and none have really worked all that well in crafting a cohesive universe.
So instead of re-inventing the wheel, writer/director James Gunn takes a previous formula and shakes it up a bit, and it's a pretty delicious concoction. While the new "The Suicide Squad" shares a name with the 2016 "Suicide Squad" film, it is actually a closer spiritual cousin to "The Guardians of the Galaxy" films...films that Gunn knows all too well, since he wrote and directed both of them.
In making "The Suicide Squad," its inhabitants and the universe they exist in way less serious than most every other DCCU movie to date, he basically creates a bloodier, more comically violent anti-version of "The Guardians of the Galaxy" films, and in doing so, he brings something to the DCCU that it has yet to experience: A sense of FUN.
Finally, a movie that actually IS cool, instead of one that keeps desperately insisting so.
"Gunpowder Milkshake" is not without misfires, but it creates one hell of an explosion of fun.
Shot entirely in Detroit, "No Sudden Move" is a fun, throwback crime caper. And it's not a gimmick or arbitrary that the movie takes place in the Motor City...in fact, this is one story that really couldn't have taken place anywhere else.
Some stories are so bizarre, they can't possibly be untrue.
"Zola" is one such tale.
Meyer Lansky is one of the most enthralling mobsters in American history, and yet, he seems to always be represented as a supporting player. Finally, Lansky is given his due.
There is a lot to like about "Lansky," and if you're a fan of Mafia movies or crime dramas, you won't be disappointed that you checked this out. But you can't help but feel that there was a better version of his story to be told on-screen.
We've come to expect implausible, over-the-top ridiculousness in the "Fast & Furious" movies...heck, we almost rely on it.
But with "F9," the franchise is dealt a critical blow in that it forgets to be fun. Yes, in a film series where it is completely acceptable for cars to jump from skyscraper to skyscraper, where the laws of physics and all beliefs are permanently suspended, where men and women have perfected the ability to leap unscathed from exploding vehicles, "F9" is the first chapter that feels tired, uninspired, lazy and most egregiously of all for a "Fast & Furious" film, stuck in second gear.
Indie films, above all others, are ones that I root for to succeed. But sometimes you have to call a spade a spade. "The Birthday Cake" is one of the oddest little films you'll come across, and not in a good way. It contains a mix of what seems like flavorful ingredients that when blended together, leaves a terrible taste in your mouth.
This is one course worth passing on altogether.
If you were a fan of the original 2017 action-comedy, "The Hitman's Bodyguard," there is almost no way that you won't also like its sequel, "The Hitman's Wife's Bodyguard." That's because it's essentially the same movie, with the same primary cast, writer and director, but it's a lot leaner (shorter), tighter and funnier than its predecessor.
Did we need a sequel to "The Hitman's Bodyguard"? Nah. But in a world where Intellectual Properties reign supreme, there are worse universes to find yourself thrown back into.
Looking for a specific movie or review?