The "Saw" franchise is one of the most successful horror franchises of all-time, having grossed over a billion - with a "b" - since the first film hit theaters back in 2004. "Spiral: From the Book of Saw" is now the ninth film in the series and the first since the 2017 release, "Jigsaw."
The first two films in the series were fresh, unique and clever despite being labeled, perhaps correctly, as "torture porn." But the further we get away from that original pair of films, the more pointless the movies have become. Consequently "Spiral," feels like a copy of of a copy of a copy...an inauthentic wanna-be, much like the new killer it features who is yet again out for some twisted form of vengeance.
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Zack Snyder has worked his way into the hearts of millions and is one of the most talked-about directors of the past year. The "Zack Snyder Cut" of "Justice League" that was recently released was well-received and dreamed into fruition by his fervent fan-base. But long before he ever took on The Caped Crusader and his Super-Friends, Snyder cut his teeth on a zombie movie...a George Romero zombie movie no less...the 2004 remake of "Dawn of the Dead." It was Snyder's first feature-film and he returns to world of the undead with his own original zombie tale, "Army of the Dead."
Yes, it's way too long (it is a Zack Snyder film after all), and it never quite lives up to its outstanding opening sequence. But sometimes it's nice to just rest one's brain, and that particular muscle is not at all needed to enjoy this one. "Army of the Dead" definitely pays tribute to the zombie genre, in that mindlessness is not only welcome, it's the main dish. If only it didn't take itself so seriously. New on Netflix this weekend is the legal drama, "Monster," which boasts an impressive cast, and a screenplay by Radha Blank ("The Fourty-Year-Old-Version"). The film, which premiered all the way back at the 2018 Sundance Film Festival has taken a while to get to the screen and now we know why.
Despite all of the talent involved, "Monster" is a timely story that somehow feels antiquated...a film with "urgent" themes but paced so slowly that the fiery embers it stokes never ignite. You're alone. You turn on the TV as not to alarm anyone in the house. You survey the room. You see your wife gracefully picking up a toy, clearly she must have a child. Probably toddler age. You see a toddler run naked into the room. Suspicions confirmed. You begin to focus. You settle in to watch a movie. That movie is called "The Virtuoso." You think the movie should be good. You notice the credits say that it stars Anthony Hopkins. You note that he is now a two-time Oscar winner, having won previously for his role in "The Silence of the Lambs." You remember you also liked him in that show "Westworld." You are inspired by your own knowledge of Oscar history and HBO. You turn up the volume. You crack open a beer. You wait.
If the crime-action-farce "Nobody" seems oddly familiar to you, it's probably because you've pretty much seen it before when it was called "John Wick." But coming from a critic who did not like "John Wick" or "John Wick 3" ("John Wick 2" was admittedly pretty cool), I actually think that "Nobody" does it better.
In 2019, an investigation that was dubbed "Operation Varsity Blues" uncovered a scandalous scheme involving super-wealthy parents who were caught buying access for their children to attend prestigious colleges and universities across America.
To the majority of the public, the "faces" of this scandal were actresses Felicity Huffman and Lori Loughlin - who were perhaps the two most famous individuals involved - but there were allegedly over 700 families caught up in it (though over 50 formally charged). All of whom had two things in common: They had committed a felony, and they had dealt directly with Rick Singer, a "coach" and consultant to the super-rich, who was the man who cooked the whole thing up. It was inevitable that when you direct the highest-grossing film EVER - "Avengers: Endgame" - that your follow-up film would be destined to pale in comparison. But for Anthony and Joe Russo, who have risen to fame and fandom after directing a slew of beloved Marvel movies ("Captain America: Winter Soldier," "Avengers: Age of Ultron," "Avengers: Infinity War" and "Avengers: Endgame" among them), "Cherry" is more than a step-down, it is a baffling fall from grace.
I've never quite considered the importance and function of an effective protagonist in a story, like I did while watching the new Netflix film "I Care A Lot." "Likability" is not a necessity, but when a film gives you absolutely nothing to care about, and no one to root for, it's hard to become emotionally invested...and when there is no emotional investment, it's incredibly hard to feel like a movie is worthy of your time.
Denzel Washington. Rami Malek. Jared Leto. What could go wrong? Well, just watch "The Little Things" and you'll find out.
We have all seen the film where a man, starting with nothing, fights and claws his way to the top using nothing but his wits, guts and sheer determination. "The White Tiger" takes this recognizable story and turns it on his head, creating a film that subverts audience expectation and creates an unforgettable movie-going experience.
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