Melissa McCarthy is one funny lady, and we know that she must be fiercely loyal too. Because once again she puts her career on the line to try to make the most out of her husband's, Ben Falcone's, flimsy comedy, "Thunder Force."
Bottom line: It's terrible.
But so were Falcone's last few films - "Superintelligence," "Life of the Party," "The Boss" and "Tammy," - films that were all directed by Falcone and with the exception of "Superintelligence," written by him as well. And they all share another commonality in that each film stars his wife, Melissa McCarthy, who is a tremendously funny and gifted actress whenever she is not trying to make the most of a Ben Falcone movie.
NETFLIX Review: 'Operation Varsity Blues: The College Admissions Scandal,' privilege with and for a price
In 2019, an investigation that was dubbed "Operation Varsity Blues" uncovered a scandalous scheme involving super-wealthy parents who were caught buying access for their children to attend prestigious colleges and universities across America.
To the majority of the public, the "faces" of this scandal were actresses Felicity Huffman and Lori Loughlin - who were perhaps the two most famous individuals involved - but there were allegedly over 700 families caught up in it (though over 50 formally charged). All of whom had two things in common: They had committed a felony, and they had dealt directly with Rick Singer, a "coach" and consultant to the super-rich, who was the man who cooked the whole thing up.
The deciding factor as to whether a family-friendly comedy is "good," usually comes down to this: Is it something that can be simultaneously enjoyed by kids and adults alike? With "Yes Day," the answer to this question is an emphatic "no."
I've never quite considered the importance and function of an effective protagonist in a story, like I did while watching the new Netflix film "I Care A Lot." "Likability" is not a necessity, but when a film gives you absolutely nothing to care about, and no one to root for, it's hard to become emotionally invested...and when there is no emotional investment, it's incredibly hard to feel like a movie is worthy of your time.
The pandemic wasn't just rough on the box office and the existing slate of films that had been scheduled for release, but also the few films that did manage to get made in 2020 have left a lot to be desired as well. Enter "Malcolm & Marie" a wordy, tiresome examination of a couple who are as caught up in themselves as writer/director Sam Levinson seemingly is of his own work.
"Penguin Bloom" is adapted from the book of the same name, and tells the true story of Sam Bloom (Naomi Watts), a wife and mother of three who, after a tragic accident, is left without the use of both of her legs. It's not very hard-hitting, but more of an inspirational, family-friendly drama that glides along on the strength of its two leads.
We have all seen the film where a man, starting with nothing, fights and claws his way to the top using nothing but his wits, guts and sheer determination. "The White Tiger" takes this recognizable story and turns it on his head, creating a film that subverts audience expectation and creates an unforgettable movie-going experience.
As stiff and robotic as the cyborg he portrays, Anthony Mackie is not able to save "Outside the Wire" from itself.
Serious warning: The first 30-minutes of "Pieces of a Woman" is incredibly hard to watch, especially for anyone who has ever suffered any sort of loss. You've been warned.
That being said, watching actress Vanessa Kirby pick up the pieces of her life after an unthinkable tragedy destroys it, is an absolutely riveting experience that makes "Pieces of A Woman" a vital watch for anyone looking to fill out their Oscar scorecards.
MILD PLOT SPOILERS TO FOLLOW:
Young talented high schoolers from all walks of life compete in the annual August Wilson Monologue Competition, giving them the opportunity of a lifetime: To not only get a chance to appear on Broadway, but gain exposure to some of the greatest, most poignant and culturally impactful works of the 20th Century.
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